The worth of investing in the artistic development of the fifth generation of Namatjira descendants, most of them still school children, is clear. Of the fourth generation only Elton Wirri, born in 1990, has really made a name for himself as an artist. And how did he do it? By starting young, painting alongside his father Kevin and with application, over and over. This is what the young people are once again doing now, thanks to the commitment of artists of the third generation with the support of Big hART and Ntaria School. KIERAN FINNANE reports. Pictured:Mount Wedge, 2010 by Martha Namatjira.
At a time of transition in our self-image – the romance of the hardy pioneering town receding under the pressure to create a more collaborative future between the settler and original populations – it is fascinating and often heartening to look at Philip Jones' Images of the Interior. This book presents the work of seven photographers, turning their lens on the people and landscape of The Centre from the 1880s to the late 1940s.
With each, there are 12 full page reproductions of their photographs.
Almost every one feels iconic, yet it is amazing how few are well known to us. This is our heritage, the rich material that tells the foundation story of the early settler encounter with this place. The dominant impression that it leaves is of curious, adventurous men who responded to the unique beauty of the desert landscape and were very interested in the Aboriginal people they met, in both their cultural difference and in them as people, as individuals. KIERAN FINNANE reviews.
Above: Young Arrernte woman at the Alice Springs Telegraph Station, c. 1895. Photograph by Francis Gillen. From the South Australian Museum Archives.