His contributions in the fields of ethnography, history, the deep past, linguistics, rock art, and contemporary Aboriginal art were recently acknowledged and celebrated by scholars in all these fields and others who have known Mr Kimber professionally and personally. KIERAN FINNANE reports.
The Magpies had made it into the grand final, but Yuendumu had also planned for months the reopening of their Men's Museum. Visitors from all over Australia were coming. The event would have to go ahead, come what may. KIERAN FINNANE reports.
Forty-four years ago to this day in Yuendumu, some 300 kms north-west of Alice, the doors opened on an extraordinary event. Recognising it changes the story of the beginnings of the contemporary Western Desert art movement. KIERAN FINNANE reports.
At a time of transition in our self-image – the romance of the hardy pioneering town receding under the pressure to create a more collaborative future between the settler and original populations – it is fascinating and often heartening to look at Philip Jones' Images of the Interior. This book presents the work of seven photographers, turning their lens on the people and landscape of The Centre from the 1880s to the late 1940s.
With each, there are 12 full page reproductions of their photographs.
Almost every one feels iconic, yet it is amazing how few are well known to us. This is our heritage, the rich material that tells the foundation story of the early settler encounter with this place. The dominant impression that it leaves is of curious, adventurous men who responded to the unique beauty of the desert landscape and were very interested in the Aboriginal people they met, in both their cultural difference and in them as people, as individuals. KIERAN FINNANE reviews.
Above: Young Arrernte woman at the Alice Springs Telegraph Station, c. 1895. Photograph by Francis Gillen. From the South Australian Museum Archives.